diff options
| author | alex <alex@pdp7.net> | 2026-02-01 21:47:23 +0100 |
|---|---|---|
| committer | alexpdp7 <alex@corcoles.net> | 2026-02-01 22:03:42 +0100 |
| commit | c48ca0ca40ed9ac009d7f84ce213ef5c69536ca7 (patch) | |
| tree | 791845e06bb167794ec916fd6e2b04b6bba1234b /blog/content/laspelis/1020.mail | |
| parent | f94e0a1bc1aea34cb4eadd2305ddf724722cd9b9 (diff) | |
Migrate blog
Turns into a static site generator. All Gemini files with links have
been rewritten to be relative.
Closes: #731
Closes: #372
Closes: #28
Diffstat (limited to 'blog/content/laspelis/1020.mail')
| -rw-r--r-- | blog/content/laspelis/1020.mail | 64 |
1 files changed, 64 insertions, 0 deletions
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+From: "koalillo" <koalillo@...>
+Subject: yago - El Infierno del Odio
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+
+El maestro Kurosawa se aparta de sus habituales samurais para hacernos +un t=
+hriller al m=E1s puro estilo "Al Rojo Vivo" de Raoul Walsh adaptando +(y nip=
+onizando) una novela de Ed McBain (su Yojimbo, sin ir m=E1s lejos, +bebe dir=
+ectamente de Dashiell Hammett- eso cuando no se remonta a +Shakespeare). + +Co=
+n una estructura at=EDpica y la habitual excelencia t=E9cnica (la puesta +en=
+ escena, la iluminaci=F3n- quedan para enmarcar unas de las gafas de +sol me=
+jor filmadas del cine- Kurosawa borda el rodaje en todos los +sentidos), est=
+e Infierno del Odio consigue mantener el ritmo durante +sus m=E1s de dos hor=
+as de montaje. El gran Toshiro Mifune completa el +pastel con una interpreta=
+ci=F3n diametralmente opuesta a sus habituales +samurais, pero en la que con=
+sigue aprovechar su intensidad para +dotarle de tensi=F3n a su personaje. + +E=
+n definitiva, la cinta cumple al m=E1ximo en pr=E1cticamente todos los +sent=
+idos, a lo que hay que a=F1adir la frescura de la ambientaci=F3n +japonesa, =
+cuyas diferencias con el cl=E1sico negro americano le dan un +extra de inter=
+=E9s al film. + + + + + |